“Sometimes, in bookstores, I experience waves of nausea when I think about adding even one more word to all that fucking print.” -Hakim Bey, the 1993 audio from the T.A.Z. conference.
“To paraphrase Hakim Bey; sometimes when I look at the Internet, I experience waves of nausea when I think about adding even more more pixel to all that fucking noise.” – Joseph Matheny
2018: AKA the sweet taste of of validation. I told you all this was emerging. Note the original pub date of this article. ‘Nuff said
tl;dr: I am not now, nor have I ever been a “believer” in conspiracy theories, in a general sense. Of course, I am aware that there are conspiracies every day that have a myriad of goals and objectives. I am talking about this wacko milieu that’s grown up on the Internet, and which is nothing more than an entertainment vertical. I have used, what I perceived as the modern American myths, i.e. conspiranoia as content for a literary method I was perfecting because it was (formerly) entertaining and pervasive. It was an art project, nothing more. We have entered a new era and I have moved away from being associated with the conspiracy milieu since it has become toxic and counterproductive. The low crypto-fascist rumbles I have heard first hand in that milieu and that I’ve been warning about since the late 90s have fully blossomed now. They no longer even try to hide it. The Incunabula/Ong’s Hat project was an example of how reality is malleable and can be shaped and even manipulated, either for your own benefit or used malignantly against you. This is why I called it to a close and outed myself in the end. This is also why I fought so hard against those who wished to use it for their own personal gain or as a tool of exploitation against others. What follows is a poetic screed.
“We were fed up with the way in which everything that came over this new magic box, the radio, was being swallowed. People you know do suspect what they read in the newspapers and what people tell them, but when the radio came, and I suppose now television, anything that came through that new machine was believed. So in a way our broadcast was an assault on the credibility of that machine. We wanted people to understand that they shouldn’t take any opinion predigested, and they shouldn’t swallow everything that came through the tap whether it was radio or not. But as I say it was only a partial experiment, we had no idea the extent of the thing… -Orson Welles, re: War of the Worlds Broadcast
Innovators and creators of the world, this is to put you on notice. Your creations, the results of your inspirations will eventually be co-opted and used as tools for exploitation. No matter how hard you try to design around this inevitability, the gut maggots (and there are many) will find a way, they always do.
Multiple mixed metaphor alert
The parasites have taken over the asylum. The systems were designed by them, so naturally, they were designed to favor them. It’s the casino principle. The house always wins. Even when the occasional dupe slips through the cracks, they are paraded around as marketing material, to show all that “You too can win”. Just keep the faith! Even in this simulacra of winning, one becomes the bait.
They will take your creations, born of sweat and tears, agony and ecstasy, notes from that rare congress with “the other” and twist them, weaponize them and utilize them as cogs in the great machine to feed themselves and grow fat upon that inspiration by vampirizing others who, sensing some original kernel of transcendence in the ghost of your work, will chase a phantom carrot which has long since been replaced with the sign of a carrot pointing to the place the original liminal message used to occupy. Sign>signifier>ghost dance. They will build grotesque and macabre temples to the ghost to entice as many as possible to worship it.